cesar merveille first joined the cadenza team in 2009 with the outstanding ep. descarga, produced alongside fellow artist pablo cahn and garnering high critique from industry and public alike. a well known and much loved figure within candenzas vagabundos ensemble and equally the international club circuit, it is with great pleasure that cadenza welcome cesar for his debut solo release on the label. maayancholy is a beautiful and heart wrenching record, showcasing the delicate and fiercely musical palette of the french producer. introducing with shimmering open cymbals. light and airy they rustle simultaneously and offer diversity via their multiple manipulation. unsettled and sporadic, they splash throughout the remainder of the piece in an ethereal manner, casting light over delicate steinway piano keys and stabbing muted chord sequences. argentinean artist guti composed the aforementioned piano, his jazz and pianist training clearly used to full degree on maayancholy with simplistic singular key arrangements and piercing chord sequences. as the ascending chords rise, they dance magically alongside the pitter patter of percussive drums in a stripped back and raw demeanour. maayancholy effortlessly lays bare the emotive side of merveille through this ambient and surprising track. luciano picks up the remix duty for with a 16 minute interpretation. as condensed cymbals and piano chords are electronically warped, urgency prevails and groove sets in, securing lucianos twisted version as the perfect companion for the simplistic original. pace quickened and intensity sharpened, luciano demonstrates the clear dance floor attributes within . maayancholy in an electronic reinterpretation fit for the floor

bedroom community broadens the scope with their newest release: en garde by puzzle muteson, a mysterious, intimate record by a fearless songwriter and lyricist from the windswept isle of wight. arranged and produced by collaborators and labelmates nico muhly and valgeir sigurdsson, en garde is a strange, comforting and alarmingly personal record. driven, spare lyrics are hoisted high by vocals of steady, sturdy tremble. each tune swells with plush guitar pluck in a sea of orchestration and electronics. recorded in the greenhouse studios in iceland, the album collects puzzle muteson s odd and beautiful stories - about love and horses, rust and polar bears, heartbreak and birds. puzzle s songs are curious sounds from a troubled heart and his lyrics are urgent and open, striking a note with their vulnerable memories. i was once a horse is an unforgettable song about nostalgia. the first single and title track, en garde , pits puzzle s longing against waves of dense strings and jagged rhythm, while perspex disguise sets his naked, translucent vocals against shimmering piano that refracts off epic chords. in flamingo head he sings, i left your house. you let me. i left you ugly , buffeted by guitar and distant murmurs. not a single thing could take this magical sight. i ll find you still , he sings in medusa , the story of a man tracking down a lost love. like many bedroom community recordings, en garde takes an unexpected and unique voice and elevates it out of any easily discernible pocket. puzzle muteson could be folk or something completely different - instead he s an intense stranger from the isle of wight - at once both familiar and unfamiliar. en garde heralds a haunting and essential new voice, beautiful, earned and yearning

it really is a great pleasure for exclusive to welcome back jef ks wonderful silver network label with their latest single from, valentin feat. the morvans. valentins electronic musical heritage stretches back to the early days of rave. as a wide eyed and open minded 18 year old he became hooked and soon immersed himself in the ever evolving culture. in the early 90s he worked for bpm, the very first underground parisian record store and it was here that he built a vast knowledge of the exciting us labels and producers. by the end of the 90s valentin was a regular on the dj and after-hours circuit, but as the rapidly developing >french touch movement< began to make its mark, it was time to find new inspiration

with surely one of the most exciting releases ever pour le merite presents these heavenly open air tracks by mr. suedmilch. let the summer in your heart and listen to this melodramatic b side with a huge oldschool vibration track on the flip.
support comes from butane, gus gus, martin eyerer, oddvar, ruede hagelstein, sis...

>going on< from geeks & gaz is a deep 140bpm roller with rich synth swells and grainy disembodied vocals which lend a washed-out melancholy air, while a limber 2step house rhythm propels a truly transporting five minutes of eyes-closed burial-esque low end groove, making for a track that will hit equal targets on the dancefloor and in the headphones. daily delivers >untitled<, an old-school uk garage-inspired track which comes to life with a slow rising synth line underpinned by a sparse beat, before breaking brightly open into a scene of high pitched buzzing keys and some seriously complex percussive intricacies, rapid on the conga skins and hard down on the blunted kick drum. for further triple-win value, hype west london producer jack dixon offers a jaw-dropping refix of >going on<, massaging the original into a sensuously twisted uk funky / garage hybrid shape, introducing dramatic synth lines, hypnotic vocal stabs, and a hightened detail in the beat programming which somehow increases the tunes club-tooled precision while simultaneously enhancing its wistful and reflective mood.

bermuda is a rare project from kimmo oksanen and roberto rodriguez. fusing synthed out deep house and disco vibes the talented pair have crafted a real blast from the past with the super cool retro styled ihasama. the release comes in three fantastic versions. firstly the thrilling nacho marco remix fuses 80s vibes with a modern approach as he twists the originals synths into an old school jacking house jam! the extended club music edit sees oksanen and rodriguez open up the energy levels with a more discofied, running mix. subtle key changes and some genius instrumentation really bring this mix to life, as its rousing synthlines do the business. finally up and coming uk producer jay shepheard reinterprets ihasama into a funky, light hearted jam thats perfect for the summer sun. soft strings rise and fall before a walking bassline brings it back it back home. more great work from this growing talent!

first vinyl record for this new techno label. dark, hypnotic, a modern techno. the original track is signed by a new artist, but with clear ideas: darkcell aka adriano giliberti, he creates a journey of sounds that come from far away, rhythms that never stops, with devastating and anxious atmosphere. the remix of markus suckut (stroboscopic artefacts, figure spc, etc..) is in his style, sounds that go up very slowly, everything seems to come out from under the ground and a series of clap you wake up from hypnosis. in the remix of octave (nachtstrom schallplatten, etc..) sounds are more open and the rhythm is more definite, its hypnotic but his style always goes to the techno dancefloor. the first release: you already understand the high level of techno!

after 10 years at the helm of the venerable label scandium records whose techno productions marked the electronic scene, paul nazca is a new challenge: to start from zero and create a label alongside his sidekick studio maxime dangles & florian combe. programme: the music came first, fresh, dynamic, varied. the artistic choices are made on favorites guided by the desire to share our passion. and to open the show, paul is in command of the first output followed by maxime before you discover new talent. so stay tuned! support from laurent garnier, sven vath, stephan bodzin, dave clarke, nhar, michael meyer, dj feadz, ramon tapia, zombie nation, angel molina

limited to 500 copies on black 180-gram vinyl. includes album download code.

after a successful first year for berlins soulfooled label starts 2011 by presenting the most successful tracks of 2010 remixed on sfld004. we are proud to share remix works from roberto rodriguez, salvatore freda and fritz zander with you. on the a-side salvatore freda delivers an heavy - oldskooled based - peaktime stomper remixed from david durangos >walk in your skin<, while roberto rodriguez creates a musical masterpiece using terje bakkes groove of >tango orange< and composing a musical 303 journey at its best. last but not least fritz zander shows that alex niggemanns tribal original (jewels) can be remixed in a total moody way and presents a perfect opener for sunny open-airs.
supported by: jimpster, m.a.n.d.y, anja schneider, ben watt, luna city express, catz n dogz, jozif, marc romboy, nic fanciulli, nick curly, phonique, till von sein, martin eyerer, gel abril, anthony collins, sis, gorge,..

in fact, >in a hole<, the a-side of their latest 12 inch, is even more dream-steeped than its predecessors. relying on vintage (and in some cases, home made) gear, simon and tsai have constructed a song that is syrupy in pace. darkened tones mingle with floating percussion and vocals processed to nearly melancholic depths. >cant feel my knees< picks up the tempo, and feels slightly sunnier in comparison (>perhaps a result of practicing for the first time in a place with windows<, according to simon), with rippling keys that give way to an open, spacious sigh and an almost playful interlude of warmth and bass punctuations. the two have said theyre interested in the meeting point of house and noise, and thats particularly apparent on the two remixes that appear here. >in a hole dub< is slower, more bare-boned and ghostlier than the track from which its derived, while >cant feel my knees dub< is filled with white noise emissions and hissing electro shocks.

kris wadsworth with an ep for one records, burnski & jozif on the remixes. pressed on green vinyl.

the founder of swedish techno has earned a reputation as a diverse and evolutionary force within techno thanks to a steady stream of quality productions and so mote-evolver welcomes cari lekebusch back to the label for his second release with open arms!

tony ollivierra begins 2011 by getting down with the machine sound. bordering on acid-funk, this ep really gets it shakin. the title track jericho, reeks of the latter days of disco with a deep bass line that fades in and takes control of the party. a warm synth chord then kicks in along with some strings which build up to a peak time climax. nag champa captures a deep and surreal groove with a sweet aromatic feel that definitely is burning. the dark bass line entangles the listener in a sensual moment while a resonant synth riff tops it off. on the flip, midi aura begins with an uncompromising synth bass line that does not quit. the sequence bubbles onward and a thick chord sweeps through the arrangement opening up into a placid apex of harmony. the aura of this midi is feel good all the way. lastly jack box, another acid track that works the cutoff and resonance into a climax of delightful poly rhythm and melody. jericho will be a very limited vinyl press and will be the final project on the ibex music label. keep your ears open for his next label venture which will be introduced this summer.

the boys are teaming up again! the name is lonely, but you are not lonely at all. niconé and philip bader are setting up two mad tracks for your sprawl over the dance floors in the cities and over the countryside. knowing how to use the sharp blades of selected beats and emotions, they just wanna get on top of you. so get ready for a bright summer with wandering open airs and screaming hands in the air. spoony talker give you the right mood and put their mad soulful vocals into lonely, filling the last available free space between techhouse-beats and piano-hooklines. together with mama simba you should be prepared for a wild ride through hot funky peaktimes near chilly lakes and rivers. back in the club animal trainers remix is pulling you into the flickering lights. time to feel too good to be true, cause you wont survive the summer without these tracks...

supported by luciano, douglas greed, gorge, the glitz, mihalis safras, kombinat100. spring has already arrived at his secret playground: the warm air is filled with cheerful laughter and bare feet are moving rhythmically in the green grass. mollono.bass reveals a very laid-back character but also a very independent and open-minded approach to electronic dance music on his debut album. the first track in the meadow represents not only a humorous hint on the best possible place to listen to this work but also creates kind of atmospheric foundation for the entire album in its light and fluffy manner. the lively hustle and bustle on the hidden playground happens in many different ways: sometimes it s the frisky bounce of hopping basslines and stimulating house rhythms, sometimes its hypnotic sound structures that take the listener on an adult adventure. but above all its the unmistakable sound of real instruments and their melodies which create that earthy, organic groove of mollono.bass, a groove that gives rise to mighty spring feelings.

third part of dj qus debut album on his strength music label, including a track by jus ed.

seven 7inches in seven months - hamburg s pingipung label surprises fans and music lovers with a vinyl series called summer of seven. from april to october 2011 one single each month will bring on the longest summer hamburg has ever seen. featuring fresh, unreleased, single-quality tracks by the pingipung artists springintgut, peter presto, hey, aj holmes, goto80, iso68, and james dina4. the artwork comes from c.i.alex (golden pudel club hamburg). each release is strictly limited to 200 copies! two straight bouncers from andi otto aka springintgut open the series. after touring through india last winter, he brought home some antique vinyl records with south indian string music. these have been micro-sampled for the tracks, overdubbed with his own cello playing and a drum machine. two odes to the animals in bangalore, the eagles above, and the dogs underneath.

the vinyl edition of full body workout vol. 7 offers up four remarkable tracks, each having earned their place on this 12 vinyl. this edition has by all means kept to get physicals full body workout ethos of bringing together a superb collection of new comers, old friends and intriguing collaborations all in the one release

the journey starts with epic pads and deep-space melodic strings that flow into rolling drums on the intro, building up into the massive anthem . the drop delivers big, bad, wobbling basslines & retro analog synth stabs that fire over heavy assaulting beats, making this an absolute dancefloor smasher destroying everything in its path and taking no prisoners!
the flip side jumps off with a futuristic atmosphere of high-pitched strings, pads and funky percussion hits while hinting a classic hip-hop sample. wide-open, ravey synths creep up and build into the drop that hits with pounding drums and filthy punishing basslines moving in perfect balance to break free just long enough for the vocal to remind party people in the house what time it is. guaranteed to get the crowd going mental - this one is a banger!

nice price deal !!! rippertons wonderful perspectiv imprint look to kick off their 2011 vinyl releases with the bribe em with candy ep. a debut on the label for german duo motec and daniel gelbe under their production pseudonym, eve white. some exquisite house tracks on this ep. lead track sugarbabe with its velvety tones and chocolate coated piano chords is the most delicious of starters. backed brilliantly by its timeless dub. its the cymbals that initially stand out on feel better. the open hats and ride shimmer alongside the twinkling keys. its unique vocal is underlain by an acid line thats contrast to the other elements, is the real key its success. rounding out the ep is anything goes. with pianos being the instrument of choice for eve white, its no surprise to find that the ivory rain-drops and warm throb of the rhodes are key here. this really is the finest of sunset and sunrise territory. bring on the summer!

third release for the neurhythmics label. once again, juergen provides 4 tracks for this ep, all of which are on the deeper side of detroit-inspired house music. be it the shimmering chords of >last day< or the loose and skipping organs of >headache<, each track shows a different side of juergens productions. noticeably heavier than the other tracks is >post reunion< where the floodgates open, and a haunting stab rides over the crescendo of cowbell driven disco-beats, with a bassline that is difficult not to be commanded by, and an overall journey feel that just doesnt want to stop

marco zenker, the wonderboy from munich is up and looking for freedom again with his second record on ilian tape. invisible shadows was discovered by ourselves on the last ilian tape warehouse party back last year. when we heard it the first time on a big system - even marco himself - we were pretty surprised. its building up slowly and leads into a very open space - the perfect track to give the night another direction. remain silent after you heard that side and open your ears for the b side that sends us into a different sphere. here we go down. you almost can call that cut a meditation hymne - it has the same vibe as osho ashram s back then hosted by f. fuhlert. finally we have a tripping remix from one of the hottest dutch guys at the moment - conforce. known for his releases on meanwhile, delsin or rush hour he shows once again why holland is thechicago of europe. its just free spirited, soulful and openminded. qualities we are missing here more or less in bavaria. so we are trying to open up and change things. the time will come. kiss

the first of a three part series titled >lost tribes<. three instrumental house tracks all dance floor tested by ron himself. >oduwold<, >open roads<, and >the clan speaks<. more heat from the chicago house legend himself. on prescriptions sister label

as 2011 throws open its doors its time once again for blokhe4ds bad taste recordings camp to step forth with the next instalment of the all-conquering, earth-shattering bad taste compilation series. this sampler features two huge tracks not featured on the forthcoming triple pack vinyl release. blokhe4d switch things up again, this time with a nod to the foundations of their sound, >kisses and lies< is a dirty, rolling slice of heavy duty dnb. early plays from bailey and crissy criss on radio 1/1xtra has seen support for this track grow and grow.

smm: context is the first release in ghostly internationals new yearly compilation series of evocative, open-ended music. the artists on context span the globe, straddling the intersection between classical minimalism, electronic and drone composition, film soundtracks, and fragile imaginary landscapes. in other words, smm: context relies on its listener to fill in the blanks, providing real-world context for its darkly emotional sounds. limited 180 gram vinyl + heavyweight jacket + inner art sleeves. includes some of the most well-established names in the ambient / drone / modern classical / home listening genre.

the trio of moritz von oswald, max loderbauer (nsi / sun electric) and sasu ripatti (vladislav delay / luomo), with a third album, this time enriched and expanded by guitar contributions from paul st hilaire (also known as tikiman), and double bass courtesy of marc muellbauer (via ecm). horizontal structures is palpably a more open, more expressive album than the previous studio recording, vertical ascent. there is more contrast, more light and shade. st hilaire and muellbauer add fresh drama and swing to the intimate tonal and rhythmic interactions of the core grouping. the coherence of the five-piece is remarkable, the boundary between acoustic and electronic undone.

back with a bunch of killer collaborations from the labels hottest talents! supported by: paco osuna, gregor tresher, gabriel ananda, markus fix, andrew grant, slam, michael reinboth, raresh, davide squillace, 2000 and one, karotte, nic fanciulli , m.a.n.d.y., julien chaptal, anthony collins, nick curly, enzo siragusa, robert dietz, gregor tresher, markus fix, michel de hey, fabrizio maurizi, anja schneider, julietta, luca bacchetti, michael reinboth, davide squillace, raresh, arado, 2000 and one, simon baker, nic fanciulli, kabal und liebe, audiofly .. every now and then, chance pushes two artists into the studio together. when that happens not only do interesting combinations of artists arise, but also the opportunity for exceptional music to be created. the epic pairings of dan drastic and matthias tanzmann, chris lattner and luna city express, and martinez and matthias tanzmann team up for the second edition of the very special moon harbour joints series. dan drastic and matthias tanzmann open the record with >puddle trouble<, a dry, reduced deephouse track which elegantly builds a bridge from funky oldschool grooves to modern house…

there are few artists making seriously great music while not taking themselves too seriously: that difficult feat is one rarely attempted and even less often successfully carried out. benoit & sergio have seemingly effortlessly managed to pull off that contradictory trick, producing songs that sometimes seem like musical open letters: editorials narrated in the voices of unidentified, yet totally recognizable colorful characters, read aloud against a backdrop of beautifully lush, warm and sensuous electronic pop music. the unexpected juxtaposition of such pristine production and playful lyricism — first exhibited on 2009s highly praised <i>what ive lost</i> ep, which included the brilliantly sardonic single >full grown man< – exemplifies why benoit & sergio are one of the most unique and interesting outfits in dance music. its good news, then, that the washington, d.c./berlin-based outfits eagerly expected dfa debut maintains both the charm and expert craftsmanship of its predecessors. single >boy trouble< (the titular counterpoint to >full grown man<) launches the ep with all manner of reasons to take to the dancefloor: an exigent beat, a beckoning synthline, a bassline of understated funk. sergio lethargically sings about girls, making note of both their ups and the downsides, without the hindrance of subtlety. >i love girls/with legs like a ferrari< he states before noting (bemoaning?) the fact that >you need poetry to turn these girls on.< its a song for the best part of the night, full of compulsive rhythms and a climax that builds on sparkly synths. the accompanying remix from visionquest — the detroit-bred, berlin-based label led by producers seth troxler, ryan crosson, lee curtiss and shaun reeves — amps things up, making the beat a more prominent, driving and club banging force. the flipside features >full grown man< and >what ive lost<, which reveal themselves to be worth more than a few revisits.

the urgent bass tones of >tussilago< open another intense builder. textural, staccatto elements combine and head the attack as the track picks up steam through its several, breathless breaks. satisfyingly wicked! mikael jonasson is the next artist to have his say on figure. like a pack of gruesome bass monsters brawling in their subterranean lair, >random diversity< is a ferocious encounter to say the least. roaring with intensity and detailed, thrilling sound design, its a raw, brutally modern and fiercely powerful production

fiakun guys,open their home doors,with a first release signed by them.>around your neck<,a track based on a high-weight vocal and a simple piano, moves us to the most underground and contemporary house with a simple but very tasty construction. the first 12inch is complemented by two remixes of many carat: in one hand, penner + muder move us to the cold berlin,with a perfect mix and appealing for those djs who are finding a long and intense mix. in the other hand, roberto rodriguez, reinvents the original,to delight us with a more warm and harmonious track, with his so personal style that the compost guy has accustomed us.

wir freuen uns das neue jahr mit ihm beginnen zu können. nach seiner sagenhaften single coconut blues istgabriel ananda zurück auf treibstoff! der titeltrack love attack hat die für ananda typisch erdigen grooves. streicher bereiten den weg zu einer organisch anmutenden bassline und nehmen uns mit auf einen emotionalen glückstrip. open up ist ein sehr trickreiches stück techno und entwickelt einen unfassbaren sog, der den raum zu einem vakuum werden lässt. für den remix von open up hat sich treibstoff den stuttgarter till krüger beim befreundeten label 200 records ausgeliehen. mit seiner version wählte er diesmal nicht seinen schnellen detroit-sound, sondern lässt die original-sounds in einem gewand erscheinen, daß mit seinen dubs an die legendären gas platten von wolfgang voigt erinnert.

the first release for consequence and joe sevens new alias they live is on dbridge & instra:mentals autonomic label. creeping in with a slightly haunting melody and sparse drums, >pure palms< starts off with little indication of where the track might lead, it feels as though it could go in any direction. as it slowly builds, the warmth and weight û and deep-set rhythms û that consequence is known for begin settling, and open up to an evocative, widescreen track of immense beauty.

second part of the family remix series comes with huge remixes by suedmilch and pinch n peedge. get ready for the upcoming open air season and play this tracks loud. even if you re ready - the snow is gone and the spring is there. let there be house

danish producer martinez rarely fails to surprise club music lovers with his versatile views on techno and house. his very special enthusiasm enables him to seize new musical territory with every release. with his debut record on cadenza, his house sound develops another depth, a more general view of the ever evolving tension between life and music. the mzuzu ep is all about bass. the bass is all around, the bass gushes into every corner of the club, it pervades concrete and iron. while the low frequencies deal ruthlessly with architecture, they are kind to us humans. the basslines put the dancers in a conforting state of hypnosis which might be an unconscious reminder of the long gone time when one still rested in ones mothers womb. it arouses the memory of a state when one is completely merged with the surroundings. martinez reorganises the structure of house music: the lashing grooves cease to be the center of the tracks. martinez moves the heartbeat of the music from the beats to the bass. its firmness releases the other elements of the tracks, creating a free-spirited feeling. freed from their regular task the grooves are enabled to be rough and open. instead of trying to control the crowd, they ravish us with their liberating energy. the tracks rarely need anything else. the icing on the cake consists in tiny vocal samples. creating an irritating athmosphere, they put us in a state of constant curiosity. disolving completely into the flow of the tracks, the human voices become pure sound. >mzuzu chant< & >adagio< are for the beautiful moments when the dancing crowd detaches itself from time and space

thomas fehlmann is integral to kompakt and the labels history. his solo releases and collaborative work with alex patterson as the orb have been some of the kompakts most revered and cherished tunes. following the success of his 2010 full length gute luft (a collection of re-edited versions from his score to the hit documentary 24hr berlin), we start 2011 off with titan one / dfm. on october 16, 2010 thomas fehlmann performed in montreal, canada at the historic molson coors brewery building together with members of the montreal symphony orchestra (osm). together they sought to recreate a version of gustav mahlers classic symphony no. 1 (titan). kompakt is proud to now offer a new recording inspired by that epic concert of symphonic and electronic with a new recording inspired from that performance – renamed as titan one. the hum of cellos and strings conjoin fehlmanns electronics – held together by the sublime, unobtrusive thump of a bass drum. titan one flows with a beauty and edacity that is rarely heard in both classical and electronic music form. the b-side features a new recording inspired from the second piece of the performance - a new version of thomas fehlmanns du fehlst mir from his 2006 kompakt full length visions of blah. reanimated as dfm, the piece again conjoins the different musical worlds in a way we have never heard to such a high standard. a much more upbeat affair than to titan one (of course) bass and keyboards mingle with the symphony the playfulness of the original song rolls throughout dfm. whether as palais schaumberg, the orb, or 3mb (to name only a few alias). fehlmann may have 3 decades of professional recordings under his belt but he continues to prove to the world as being one of the most fascinating and creatively open musicians in his field. this release clearly proves his story is far from over.

first on decks.de!!! plattenbaus start for 2011. enjoy the minimal-techno album by roberto mozza & erotex. including tino boa remix.

tip! massive techouse rollers! material sister sublabel material limited shows that stripped down techouse rule the floors!

alex cortex and lopazz are bad cop bad cop and they are the perfect artists to open up the new killekill label with this release: widespread, freaky, open minded but whatever style, all tracks are coming with a heavy groove. comes on transparent orange vinyl in a clear sleeve.

scary looking new 12 inch on amsterdams dekmantel imprint. 3 deep and insightful new jj&j tracks with a top notch remix from ra.h (morphine)! including poster in the plastic sleeve, limited to 500 copies.

being one part of the dj team kassette boys, ferri borbás aka superlover is widely known as m_ferri. he was raised in berlin and after the wall came down he got musically influenced enormously by the then arising techno culture of the mid 1990ies. his early productions have always mirrored the influences of the rough, industrial and dark sounding techno sound which was brought to berlin by artist like jeff mills, laurent garnier or joey beltram. simple, radical sounding and functional: tracks like his >tanzgenerator< or >open the watergate< had shaped these asthetics into a trademark sound. his latest superlover project is slightly shifting his musical coordinates : instead of a reduced and purely funtional >m_ferri sound< his new project presents a rather emotional and energetic mix of warm sounding rhodes pianos and string synthesizers. the three tracks of the e.p. combine those sounds earworm-like to catchy melody riffs and being the metamorphosis of a new disco influenced, poppy superlover sound

new discovered techno duo mays & patrique, straight outta kiev/ukraine, perfectly disguise their virginity behind a dirty rollin bass line and industrial effect fireworks. the perfect sound to open a dark winter party season ! well known mihalis safras completes the package with a more uplifting remix

amazing 3 track sampler with very well selected dubstep

we again two flying something objects are located in the orbit, waiting for permission to land on your turntables and in the lay-by of your recordbag. this time with 13 pieces of stl deep shakin house madness, mindscratching lo-fi grooves, cranky energized synth activities, dope loops and sound effects. all pressed on a delicious double vinyl album with a limited printing of 500 covers! the music is all hardware based and sequenced. recorded in live sessions without any computer arrangements. surely the style is not for everyone and compared to others, probably seems a bit unconform, cat-headed or sometimes just different. but it s always true spiritual. an open minded artform with the sense for functionality. every track is talking to you in musical form without any barriers straight down to your feet and feeling. as in all something releases there is much sound personality and imagination inside, giving the listener a ticket to the fascinating world of beat orientated something music. get on board and enjoy the trip.

for detroit techno lovers ... fantasic record incl strong christian smith rmx...616 seconds highlights marcs dancefloor knowledge, and once again sees him harnessing the strength and power of contrasting sounds. the cascading and sweeping synths, sit pretty alongside the underlying, gated growl of the main bass-heavy synth, pierced only by its open hats and snare hits.

after the very powerful vinyl releases on martyns label >the bitch/crop duster< and fresh minute smashing hits >rass out< (featuring also on martyns official fabric mix) and >believe in me<, without also not forgetting the 2 consistent digital albums >tenement yard< and >serial vendetta<, we are really excited to release altered natives music on our main label, for us one of the most promising, open minded and prolific artist of the moment, which will easily conquer you with his innovative crossover style between classic house and uk funky.

hailing from lexington, kentucky, matt mason and rick nielsen, better known as the corduroy mavericks, are quickly smashing the stereotype that the midwest is lacking in prolific house music producers. with their quirky range of jazzy, soulful, techy, deep and funky house, new york, chicago, the west coast and other dance meccas have been put on notice via the sonic enthusiasm of a pair of corduroy-loving trailblazers from the bluegrass state.